prvious compositions (1990-92, rev. 2017-19) In this album compositions are summarized, which were created in the years 1990 to 1992, performed for the first time in the context of concerts and presentations by the »Zentrum für Elektronische Musik« (ZeM, Freiburg i.Br.) and revised in the years 2017 to 2019. Some of the pieces are published in […]
Strukturen (1994) – Structures Algorithmic Compositions Structures were realized in 1994 with special algorithms for the organization of pitches, velocity-values, durations and rhythmical processes. These Structures were realized and performed with »Dr. T’s keyboard controlled sequenzer«. The sound-shaping, programmed with Max/MSP, based on one single DX7-II Piano-Sound using several system-exclusive-parameters to modify the envelope-parameters and […]
HSUD 274 (1992) A soundprocess – 10:38 min (Live realization at Preetz 2015) (For playback the low frequencies please use external loudspeakers.) HSUD 274 is a composition of a soundprocess based on sinus-waves. The score is written in a traditional way and contains the accords and tone-series. The structure is designed in a grafic […]
Lichtkreuz (1990) – Light Cross Excerpt, 0:52 min (2,1 MB) – Video: Doris Elbe Optical act for the eye, acoustical act for the ear. In the middle of the gentle fog of music, a square flows crosswise in itself. The targeted detuning of single tones produces floating sounds which correspond to the light glow of the square. […]
Die Glocken von St. Niklaaskerk – The Bells of St. Niklaaskerk A mystery – 6:57 min (Live realization at Preetz 2015) Composed 1990/91 after the poem »Sankt Niklaaskerk im Großstadtmeer« (St. Niklaaskerk in the Sea of the Metropolis) by Horst Friedrich Vorwerk. The bells of the mighty church seem to be echoed from a distance […]
Shaking (1992) Sound installation – 11:10 min (Live improvisation at Preetz 2015) Based on samples of a »Chicken Shake« and wind chimes. The sound events were alienated through numerous transpositions and filters. The sounds were selected and sequenced randomly. The sound installation was realized with a Yamaha TX16W Sampler.
Stille und Aufbruch (1990) – Silence and Departure An incidence of nature, excerpt – 1:50 min (1,9 MB) Experienced on a September morning in a forest at the rim of the Schönberg (Black forrest) near Freiburg i.Br. Electronic and natural sounds were interwoven, interpenetrating them-selves to complete indistinguishableness.
